Experience the award winning play Tales of a City by the Sea at PKK Tuanku Bainun in Malaysia January 13th to 18th 2017

In collaboration with Pusat Kreatif Kanak-kanak Tuanku Bainun, Kuala Lumpur, this award-winning script by Samah Sabawi will be staged by PKK Tuanku Bainun from 13th to 18th January 2017.  The play will be staged at PKK Tuanku Bainun’s Theatre KuAsh.

PKK Tuanku Bainun is a non-profit organization serving as a safe haven for children and youth from all walks of life to develop their creativity. Centred around the pillars of arts, heritage, culture, and the environment, our classes are made available at full sponsorship or subsidy to the underprivileged. We are proud to present this gripping story, with its stirring universal themes of resilience and the human spirit, in our KuAsh Theatre @ PKK Tuanku Bainun.com

Jomana, a Palestinian woman living in a Gaza refugee camp, falls in love with Rami, an American-born Palestinian doctor and activist who has just arrived on one of the first Free Gaza boats in 2008. Their love is met with relentless string of challenges. Ultimately, Rami must decide between returning to his comfortable life in Texas and staying in Palestine with Jomana. Choosing to stay means leaving his family and career behind for a life ravaged by war, while leaving means not only losing Jomana but also ignoring the plight of the Palestinians.

The play premiered simultaneously at Melbourne’s La Mama Theatre and Palestine’s Al Rowwad’s in 2014. Its sold-out premiere was met with standing ovations and critical acclaim. In 2016 the play was selected for the Victorian Certificate of Education Drama Playlist, and was remounted in Melbourne for a longer also sold-out season at La Mama, before it embarked on its first national tour, playing to full houses and standing ovations in Adelaide’s Bakehouse Theatre and Sydney’s Casula Arts Centre.

Date :  Saturday, 14 January 2017 – Sunday, 15 January 2017
Time :  8:30pm (14 Jan) / 3:00pm (15 Jan)
Venue :  KuAsh Theatre, Pusat Kreatif Kanak-Kanak Tuanku Bainun

To purchase tickets click on this link.

Allow us to introduce ourselves! The Tales of a City by the Sea 2016 creative team

We come from diverse backgrounds including Egypt, Iraq, Iran, Lebanon, Palestine, Malta, Malaysia, Thailand, Italy, Bengal,  India, Chile and the UK.  We have people of various faiths including the Muslim, Jewish and Christian faiths.  Our play is a celebration of the power of inclusivity and a testimony to breaking down cultural and racial barriers!

Writer  Samah Sabawi

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Samah Sabawi is a Palestinian Australian Canadian playwright, commentator and poet. Her plays Cries From The Land and Three Wishes had successful runs in Canada; Tales Of A City By The Sea enjoyed a sold-out season at La Mama in 2014 and an Arabic premiere at Alrowwad’s Cultural Theater Society in Palestine, and was selected for the 2016 VCE Drama Playlist. Sabawi’s poems feature in WITH OUR EYES WIDE OPEN (West End Press 2014), GAZA UNSILENCED (Just World Books 2015) and I REMEMBER MY NAME (Novum Publishing 2016). She is co-editor of  DOUBLE EXPOSURE: Plays of the Jewish and Palestinian Diasporas (Playwrights Canada Press 2016).

Original Direction Lech Mackiewicz

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Lech Mackiewicz is a Polish director, playwright, and actor. He formed Auto Da Fe Theatre Company in Sydney in 1987. He specialises in creating intercultural collaborative performance, having directed theatre in Poland, Japan, China, Korea, and Australia. Lech’s directing credits include: Felliniana (Belvoir St Theatre); King Lear (Playbox Theatre); Kafka Tanczy (Teatr Zydowski); Beckett in Circles (Suzuki Company of Toga); An Oak Tree (Teatr Wegierki); The Hour Before My Brother Dies (Teatr Jaracza); and Everyman and the Pole Dancers (Metanoia Theatre). He is a graduate of the National Academy of Theatrical Arts (PWST) in Cracow, and the University of Technology Sydney.

2016 Remount Direction Wahibe Moussa 

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Wahibe Moussa is an award-winning performance maker, and writer. In 2007, Wahibe received the Green Room Award for her role as “Mahala” in Theatre @ Risk’s production of Tony Kushner’s Homebody/Kabul. In 2014 she was one of ten dramaturgy interns at Melbourne Theatre Company, a Playwriting Australia Fellowship initiative. Wahibe’s practice is informed by her own experiences as a migrant child, her collaborations with Refugee Artists, and a commitment to understanding Indigenous performance and story making practices. This is Wahibe’s directorial debut.

Producer and Set Design Lara Week

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Lara Week is a designer for performance and creative producer. Her design credits include: NaGL: Not a Good Look (Metanoia Theatre), Between Heaven and Her (La Mama Theatre), and The Conference of the Birds (Centre for Cultural Partnerships). Since 2011, she has been associate producer for Tribal Soul Arts, producing decolonial arts programs and performances in Africa, Europe, and Australia. She is dedicated to creating spaces where people with different skills and perspectives can share ideas and produce work together.

Lighting Design Shane Grant

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Shane Grant has been Audio Visual Technician for St Kevin’s College for the past nine years. Previously, he was Production Manager with Strange Fruit and Technical Manager at Gasworks Theatre. Shane is an accomplished lighting designer having worked extensively with companies like Ranters Theatre, The Torch Project, NYID, La Mama and many others. Shane has a BA Dramatic Arts (Production) VCA from 1994. He sits on the Green Room Awards Association Theatre Companies Panel. Shane is currently an artistic director at Metanoia Theatre and the Technical Manager of the Mechanics Institute theatre in Brunswick.

Sound Design Khaled Sabsabi

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Khaled Sabsabi works across art mediums, geographical borders and cultures to create immersive and engaging media based experiences. He is a socially-engaged artist who specialises in multimedia and site-specific installations that often involve people on the margins of society. Khaled has worked in detention centres, schools, prisons, refugee camps, settlements, hospitals and youth centres, in the Australian and broader international context. Khaled makes work that is in continual transfer from the physical to the philosophical, to interconnect the interrelatedness and cycles of life.

Sound Mixer Max Schollar-Root

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From his roots in The Australian Theatre for Young People and the NSW Performing Arts Unit State Drama Ensemble, Max Schollar-Root found his passion in musical performance and composition while studying at the Sydney Conservatorium of Music. He works as a band leader with Ungus Ungus Ungus, a theatrical and multi-modal performance project combining live music, technology, and dance, presenting nationally at large-scale festivals. As a Registered Music Therapist trained at The Melbourne Conservatorium of Music he runs early childhood music programs and works with adults with intellectual disabilities.

Production/Stage Manager Hayley Fox

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Hayley Fox gained a Bachelor of Creative Industries majoring in Theatre at QUT (2005) and a Master of Arts in Writing at Swinburne University (2010). Her most recent stage management credits include: Werther and The Spanish Hour with the Lyric Opera of Melbourne; The Road to Woodstock and An Evening with Sarah Vaughan for Neil Cole; Diva Power Regional Tour for Arts Events Australia; Wuthering Heights with the Australian Shakespeare Company; and In Between Two at the Sydney Festival for Performance4a.

Assistant Stage Manager James Crafti

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James Crafti is excited to be working on Tales of a City by the Sea as it combines two of his passions: theatre and Palestine. On the former James has directed a variety of plays such as Mutha, The Deserters, Rope, Creationism and Seven Jewish Children. He was also an assistant director on Yet to Ascertain the Nature of the Crime. James has also been an organiser with Campaign Against Israeli Apartheid, Australians for Justice and Peace in Palestine and Jews Against Israeli Apartheid.

Producer Daniel Clarke

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Daniel Clarke has worked in Australia, the UK and US as a theatre director, producer and artistic director. He is has recently taken on the role of Programmer, Performing Arts at Arts Centre Melbourne, after five fulfilling years as CEO and Creative Producer of Theatre Works, St Kilda. Daniel was the Artistic Director of Feast in 2007 and 2008, winning the prestigious Arts SA Ruby Award for Community Impact. He has also worked for Leicester Haymarket Theatre Company as Creative Producer/Associate Artist and was awarded the 2015 Sidney Myer Performing Arts Award Facilitators Prize.

Helana Sawires – Jomana

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From a large, creative Egyptian family, Helana Sawires has always lived within the realm of the arts. Early on Helana developed a love for percussion, very much influenced by her father. Since graduating from Newtown High School of the Performing Arts (2011), Helana’s projects include: Short and Sweet Theatre Festival; Banana Boy (upcoming short); and W.O.W Casula Kid’s Festival (storyteller/drumming workshop). Helana landed her first major film role in 2015 in Ali’s Wedding (Matchbox Pictures). She was accepted into the Stella Adler Studio of Acting in NYC (2014), completing a Chekhov Intensive Course, which further influenced her unique expression across all forms of art.

Osamah Sami – Rami

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Osamah Sami is a failed cricketer and a struggling Muslim. His memoir Good Muslim Boy was Highly Commended at the Victorian Premiere’s Literary Awards. He also co-wrote Ali’s Wedding, Australia’s first Muslim Rom-Com, and co-created the Web Series Two Refugees and a Blonde. Lead roles in films include Ali’s Wedding, Journey, 10 Terrorists! and Saved. TV roles include: Kick, East West 101, Rush, Sea Patrol, City Homicide and Jack Irish. He has performed at Belvoir St, MTC, La Mama and a dozen independent houses. His role as “Amor” in MTC’s I Call My Brothers earned him a Green Room nomination for Best Lead Actor.

Emina Ashman – Lama

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Emina is a Malaysian born actor, dancer and theatre-maker. Before relocating to Australia (2012), her theatre credits in Kuala Lumpur include Beasts and Beauties, Lysistrata and Fragments. As a 2014 VCA graduate, her credits include Agamemnon, The Three Sisters, The Little Prince and Plus Sign Attached (with Living Positive Victoria). Emina played “Julie Bishop” in Lucky Country (Melbourne Fringe 2014). Last year, she read the role of “Christine” in Michele Lee’s Moths for MTC. She also played “Antonia D’Agostino” in the sell-out season of Adam Cass’s Bock Kills Her Father (La Mama, Melbourne Fringe 2015). She has recently completed a diploma in creative writing, specialising in writing for performance and poetry.

Reece Vella – Ali

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Reece Vella graduated from The Actors College of Theatre and Television in Sydney (2010) and has been acting professionally for the past six years. Check out his Star now if you are into name-dropping. He harbours a passion for new, eccentric and challenging work. Since moving to Melbourne, Reece’s stage credits include: Everyman and The Pole Dancers; Tales of a City by the Sea; Between Heaven and Her; and most recently Night Sings Its Songs. Reece is elated and moved that a remount of Tales of a City by the Sea has taken life, confirming his everlasting hope in stories of humanity.

Alex Pinder – Abu Ahmed

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Alex Pinder works as an actor and theatre director. Recent credits at La Mama include performing in Waiting For Godot (as “Lucky”) and In the Middle of the Night and Other Stories, and directing Buzo’s Norm and Ahmed. Other work includes directing a reading of In The Day I left Home by Raahma N Kalsie, for MTC NEON 2015 and MTC Cybec 2016, playing “Page” in The Merry Wives of Windsor at 45 Downstairs and Perth’s Fortune Theatre, and “Howard” in The Dead Twin.

Rebecca Morton – Samira

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Rebecca Morton has been singing and acting all around Australia for longer than she cares to admit, from opera to music theatre to Shakespeare and Noel Coward with state theatre companies. She writes and tours highly portable, one act music theatre shows, and recently joined Alchemy 7, a group of artists who create a fusion of sculpture and song. She is also working with a new company, RAPt, which connects people through theatre. She is absolutely delighted and proud to be part of this very exciting and important play.

Cara Whitehouse – Multiple Roles

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Classically trained, Cara Whitehouse has played roles in children’s puppetry to the Greeks, working in Melbourne and Singapore. Recent work includes Tales of a City by the Sea (La Mama 2014), Remember M with innātum Theatre, The Woman in the Window, and “Elektra” in The Oresteia. Cara’s film work includes multiple shorts with a web series in development. A certified Fitzmaurice Voicework teacher, Cara’s training encompasses Conservatory Actor training at Lasalle College of the Arts Singapore, Knight-Thompson speech work (NYC) and continued training at the Howard Fine Acting Studio.

Aseel Tayah – Singer

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Aseel Tayah is a creative director, art producer and installation artist. She has been part of number of theatre productions at the Malthouse, Platform, La Mama, Polyglot and Metanoia Theatres, together with her own art works that have been displayed prominently in Palestine and Australia. She travels around the world to discover, photograph and be inspired by people’s cultures and histories. She creates interactive experiences that invite audiences to participate through her design of space, and the presence of her body and voice.

Ubaldino Mantelli – Multiple Roles

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Ubaldino was in the 2014 Melbourne premiere of Tales of a City by the Sea at La Mama. He’s played major theatrical roles in the Geelong region, including performing for the National Trust and in the ensemble-devised Daylight Savings, led by James Pratt. Ubaldino trained under Kerreen Ely-Harper, Stephen Costan, Jenny Lovell, Danielle Carter, Karen Davitt and Nicky Fearn in the VCA Acting Studio 12. He’s been a producer, presenter and performer on community radio. In 2016, Ubaldino can be seen in James Burke’s short film, Sick Home.

Poster Design and Cover Art by Ahmad Sabra and Aya El-Zinati. 

To buy tickets:

Melbourne: The show will be staged at the La Mama Courthouse theatre between May 11 – May 29th. La Mama Theatre is nationally and internationally acknowledged as a crucible for cutting edge, contemporary theatre since 1967. The Courthouse is located on 349 Drummond St, Carlton. Click here to purchase tickets for Melbourne shows.

Adelaide: The show will be staged at The Bakehouse Theatre June 8th to June 18th – June 18th. The Bakehouse is a charming, intimate live theatre at 255 Angas Street, near the east end (Hutt Street). Click here to purchase tickets for Adelaide shows.

Sydney: The show will run at the Casula Powerhouse Arts Centre on 1 Powerhouse Road, Casula. There will only be two performances scheduled for August 3rd. Click here to purchase tickets for Sydney shows.

Click here to make a donation 

Tickets now available for Gaza love story Tales of a City by the Sea’s Melbourne Sydney and Adelaide performances

“…this gripping play is an act of resistance that implores its audience to take heed.”  Rebecca Harkins-Cross, The Age

“This is a fantastically told story of two worlds colliding.” Mary Hughes, The Music

“In the season that we did last year, I don’t think there was an empty seat in the house. We were inundated here with people saying how important the work was, how moved they were by it.”  Liz Jones, Artistic Director and CEO of La Mama Theatre.

 

Melbourne:  The show will be staged at the La Mama Courthouse theatre between May 11 – May 29th.   La Mama Theatre is nationally and internationally acknowledged as a crucible for cutting edge, contemporary theatre since 1967.  The Courthouse is located on 349 Drummond St, Carlton. Please note all Melbourne shows have now sold out.

Adelaide:  The show will be staged at The Bakehouse Theatre June 8th to June 18th – June 18th.  The Bakehouse is a charming, intimate live theatre at 255 Angas Street, near the east end (Hutt Street).  Click here to purchase tickets for Adelaide shows. 

Sydney:  The show will run at the Casula Powerhouse Arts Centre on 1 Powerhouse Road, Casula.  There will only be two performances scheduled for August 3rd.   Click here to purchase tickets for Sydney shows.

Congratulations! Play set in Gaza selected for 2016 VCE Drama List

Congratulations to all of us!   Palestinian play highlighting challenges of life in Gaza during the war of 2008-2009 has been selected for the 2016 Victorian Certificate of Education Drama list.   The play Tales of a City by the Sea by Palestinian Australian playwright Samah Sabawi was one of 16 of more than 50 submissions selected for the 3 VCE Playlists.   As a result, it will be seen and studied by hundreds of year 11 & 12 Theatre students in Victoria and it will be published by Currency Press and disseminated among these students.

This is groundbreaking to say the least!  But to be able to produce the play next year so students can watch it, we need your help. So please come and join us on November 22nd and celebrate with us this wonderful news and help us raise funds for next year’s production and for our national tour so we can present this important piece of work not only in Melbourne but in other Australian cities.

The fundraiser will be held on November 22 at 6:00pm on the rooftop of Arcadia Hotel , 2 Toorak Road, South Yarra.

Tickets are  $45.00

For more information or to  buy tickets please follow this link  

Staging Palestinian love story in six Australian cities: Launching Tales of a City by the Sea 2016 national tour fundraising drive

Woven together from the actual experiences of people living under occupation, Tales of a City by the Sea is a journey into the lives of ordinary people in the besieged Gaza Strip.  Jomana, a Palestinian woman living in a Gaza refugee camp, falls in love with Rami, an  American-born Palestinian doctor and activist who has just arrived on one of the first Free Gaza boats in 2008. Their love is met with a relentless string of challenges. Ultimately, Rami must decide between returning to his comfortable life in Texas and staying in Palestine with Jomana. Choosing to stay means leaving his family and career behind for a life ravaged by war, while leaving means not only losing Jomana but also ignoring the plight of the Palestinians.

“[A] nuanced exploration of the myriad ways the occupation affects Palestinians at home and abroad…This gripping play is an act of resistance that implores its audience to take heed.”  ★★★  Rebecca Harkins-Cross,   The Age

Tales of a City by the Sea is about what it means to leave home to create a life in more tolerable conditions, and what it means to stay. It is about relationships between parents who have chosen to leave, and children who want to return. It is about how people in diaspora see their connection to home, and how people at home see them. It is a Palestinian story, but more broadly it is a migrant story.

“A fantastically told story of two worlds colliding. An elegantly simple set […] is perfect for actors Nicole Chamoun and Osamah Sami to excel in their lead roles.”  ★★★★  Harry Hughes,  The Music

The play premiered in November 2014, with simultaneous productions at La Mama Theatre in Melbourne and the AlRowward Cultural and Theatre Society, in Aida Refugee Camp in Palestine. Both productions received overwhelmingly passionate responses from audiences and critics alike.

“The beautiful and passionate voice of Tayah makes the story even more touching…[This play] wondrously gives  hope and prevents you from giving up on Gaza.”  ★★★★  Zeynep Incir, Melbourne Arts Fashion

In 2016, we hope to remount our Australian production at the La Mama theatre in Melbourne and then take it on tour to Adelaide, Sydney, Hobart, Casula and Byron Bay.

Why Support This

Tales of the City by the Sea tells the story of people in terrible situations, living under occupation but it doesn’t define them by their suffering  This is not the kind of story set in Palestine that you hear in the typical every day news reports — we hope to challenge this by telling a story that is not just about the conflict but the experiences of the people who live in and around it.

We believe that sharing Palestinian stories represents a key step towards peaceful and just resolution to the conflict and that a view into the realities of life under occupation has the power to change hearts and minds and that is why we feel it is important that this story is told.

Tales of the City by the Sea will feature a diverse cast and crew and help realize our hopes to see the diversity of Australia represented on the Australian stage. Our cast and creative team include both recently arrived migrants and multigenerational Australians. We have roots in Palestine, Lebanon, Iran, Iraq, Poland, Malta, Italy, Egypt, and Chile.

Funding is the greatest challenge faced by this project, which is why we are asking for your support.

The premiere last year was a co-share, this time, we want to be able to properly remunerate actors and artists involved in bringing this story to the stage. Your contributions go towards supporting a production that deeply values and wants to support its artists.

How the funds will be used

We already have lots of wonderful in kind support such as accommodation but we are committed to paying our artists proper wages.  We will also need to cover production costs for set and costume design,  transport for equipment and cost of travel for the cast and crew.

Raising this money will allow us to commit to the first leg of the Australian tour which means remounting in Melbourne with our artists on full wages regardless of money raised through tickets. That means any revenue raised through tickets will go on to support next leg of tour.

Upcoming Event:

So, let’s kick off our fundraising drive with this exciting event.  Please join us on the rooftop of the Arcadia Hotel and help bring Tales of a City by the Sea to six Australian cities in 2016. Enjoy a BBQ, experience live Arabic music, watch some amazing performances, meet the cast and crew, and dance the night away!

Get your tickets here 

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Audio: In conversation with Tales of a City by the Sea director Lech Mackiewicz and actress Wahibe Moussa

A fantastic interview with Lech Mackiewicz and Wahibe Moussa about why they chose to be involved with the play Tales of a City by the Sea and what they hope this play will accomplish.  It offers a wonderful insight into the role of theatre in building cultural bridges and telling the stories that need to be told.

With thanks to Jan Bartlett and 3CR radio.

Buy Tickets for Melbourne Production.

The Age: Palestinian Play Tales of a city by the Sea thwarted by real-life violence

By Annabel Ross

There is some bitter irony in the fact that the plan to premiere a Palestinian play in three different cities was thwarted by the very war it speaks of. Palestinian-Australian writer Samah Sabawi wanted Tales of the City and the Sea to debut in Australia and the Palestinian territories simultaneously. “The plan was that it would open in the West Bank, Gaza and Melbourne at the same time and in a way connect the Palestinians in the West Bank to the Palestinians in Gaza,” she says. “Unfortunately, the time we started casting and putting together the production team was when Gaza was under heavy bombardment.” That was in July, at the height of the recent conflict. Read more: http://www.smh.com.au/entertainment/theatre/palestinian-play-tales-of-the-city-and-the-sea-thwarted-by-reallife-violence-20141028-11cjn0.html#ixzz3HPpWg1ia