The Freedom Bus’s New Initiative “The Ride for Water Justice”

Details Published on Monday, 05 November 2012 08:46

PNN

Thirsting for Justice Campaign said in a press release that during November 2012, the Ride for Water Justice! is taking place in communities impacted by Israel’s illegal appropriations of Palestinian water resources.

The Ride includes guided walks, Playback Theatre performances, and community discussions about water apartheid and the broader struggle for freedom and justice in occupied Palestine. Audience members share autobiographical accounts and watch as a team of actors and musicians instantly transform these accounts into improvised theatre pieces. Playback Theatre provides opportunity for education, advocacy and community building.

The Ride started on Friday, November 2, in the village of Faquaa (in the Jenin district), one of many Palestinian communities impacted by Israel’s illegal appropriations of Palestinian water resources.

In the next Fridays, Palestinian and international activists, students, journalists, artists and the wider public are invited to join any or all of the Ride for Water Justice events:

November 9th: Attuwani, South Hebron Hills

November 16th: Al Hadidiya, Jordan Valley

November 23rd: Gaza via Video Conference

This four time event is organized by the Freedom Bus and EWASH’s West Bank local partner Juzoor.

The Freedom Bus is an initiative of The Freedom Theatre that uses interactive theatre and cultural activism to bear witness, raise awareness and build alliances throughout occupied Palestine and beyond.

Juzoor for Health and Social Development is a Palestinian non-governmental organization based in Jerusalem working at the national level, dedicated to improving the health and well-being of Palestinian families and promoting health as a basic human right.

The Emergency Water, Sanitation and Hygiene group (EWASH) is a coalition of almost 30 organisations working in the water and sanitation sector in the occupied Palestinian territory.

The Freedom Theatre: http://www.thefreedomtheatre.org/

Thirsting for Justice Campaign: http://www.thirstingforjustice.org/new

Juzoor: http://www.juzoor.org/portal

For further information about the event, visit

https://www.facebook.com/events/429492253776932/?ref=ts&fref=ts

Amazing! Daredevil Gaza Youths Run Free With Parkour

November 08, 2012

Agence France-Presse

Mohammed Jakhbir leans back, braces himself, and then leaps off the roof of a Khan Yunis hospital building, flipping backwards before landing on the next roof over.  He whoops with delight at performing the dangerous feat, his favorite of the moves he practices with his team — the first parkour group in the Gaza Strip.
Parkour, also known as free running, is an extreme sport that involves getting around or over urban obstacles as quickly as possible, using a combination of running, jumping, and gymnastic moves including rolls and vaults.


Practitioners leap from roof to roof, run up the side of buildings until they flip backwards, vault over park benches, or cartwheel along walls.

In Gaza, it’s still a novelty, and as Jakhbir and four members of his 12-man crew demonstrate their skills in the grounds of the southern city’s Nasser hospital, a crowd of patients and doctors look on, some filming with their cell phones.
“He’s like Spiderman!” says one onlooker as 23-year-old Jakhbir runs up a wall, seemingly defying gravity as he scales the facade.

As the crowd grows, the team decides to move to a quieter spot. Their practice sessions are occasionally interrupted when onlookers call the police to complain, and they prefer to avoid having to make a run for it.

“When we first started practicing, we could do it anywhere. But gradually we found people would complain and the police would come. It became a game, we’d practice until they arrived and then run awa

y,” Jakhbir said with a laugh.

He’s been practicing parkour for seven years, ever since his friend Abdullah showed him a documentary called “Jump London.” It instantly appealed to them.

“We would watch clips and try to imitate the moves that we saw. Gradually we started to make our own clips,” he says.

“Now sometimes people even request that we make clips to show them certain moves. It’s been a long journey for us, seven years, but now we have a real team.”
Jihad Abu Sultan, 24, joined the team four years ago after seeing some of Jakhbir’s clips on YouTube.

He had a background in both kickboxing and kung-fu, but saw something different in parkour.

“It uses physical strength more than any other sport … I was so impressed by it, especially the jumping involved,” he says.

One of Abu Sultan’s specialities is a move in which he flips his body in a full circle with one hand resting on a wall for him to pivot around.
He’s also an accomplished tumbler, throwing himself along the ground in a series of handsprings, rolls and twists.

“Parkour teaches us to overcome obstacles,” he says. “It makes me feel free, it makes me feel my body is strong, that I can overcome anything.”

But practicing parkour in Gaza hasn’t been easy.

At times they’ve had to shift practice locations because the areas have been targeted by Israeli air strikes. And both Abu Sultan and Jakhbir have battled disapproval from their families.

“At first, my parents forbade it,” admits Abu Sultan.
“They tried to stop me, especially after I was injured, but they couldn’t. It’s in my blood.”

Jakhbir’s parents told him to stop practicing parkour and find a job. He graduated with a degree in multimedia from Gaza’s Islamic University, but has been largely unemployed ever since.

“They told me there was no future to it,” he says with frustration.

“They need to understand that sport is something very important. Athletes can raise Palestine’s name throughout the world.”

Jakhbir and other Gaza Parkour members did just that earlier this year, when an Italian group called Unione Italiana Sport Per Tutti invited them to Italy.

“They were able to make our biggest dream come true, which was to get past the biggest obstacle of all — the Israeli checkpoint — and travel abroad,” Jakhbir says.
The trip took them to Rome and four other Italian cities, where they met with other enthusiasts, showing off their skills and learning a few new ones.
“We talked to people about our lives in Gaza, that we’re living under a siege, and in a continually tense situation. We face financial, social and political obstacles,” Jakhbir recalls.

They’ve spray painted “Gaza Parkour forever” on some of the walls, but they acknowledge an uncertain future.

Jakhbir and Abu Sultan say they’d like to continue parkour professionally, and are hoping to eventually win either local or international support that would allow them to commit to the sport full-time.

“Parkour teaches us we can overcome our problems even if we fail once or twice,” says Jakhbir. “We have to try and we can achieve our goals in life.”

This article appeared in Jakarta Globe

Palestinian artists launch art festival to protest Israel’s barrier

By REUTERS
WEST BANK

Sunday, 04 November 2012

Palestinian artists showcased their art work at West Bank’s Qalandia International Festival on Thursday framed as part of a creative reaction to the Israeli barrier that separates Palestinian villages from each other.

Israel has said the barrier, a mix of electronic fences and walls that encroaches on West Bank territory, is meant to keep suicide bombers out of its cities.

Palestinians call the barrier — whose course encompasses Israeli settlements in the West Bank — a disguised move to annex or fragment territory Palestinians seek for a viable state.

The International court of Justice declared the planned 600-km (370-mile) barrier, more than half of which is completed, illegal but Israel has ignored the non-binding ruling.

Qalandia International Festival Art Director, Jack Persekian, said it was an important way for Palestinians to channel their emotional reactions to the barrier.

“The wall and the road that was constructed recently connect the Israeli settlements together and separate the Palestinian villages from each other. The reaction to this separation was a cultural festival. It is an important and a good reaction — it shows a positive, artistic and cultural spirit in a painful situation that should be stopped,” he said.

The festival, which showcases Palestinian contemporary art projects, performances, films, and other cultural activities, kicked off on Thursday at Qalandia village northern of Jerusalem and ends on November 15.

According to the festival’s organizers, over 50 local and International artists came together for the launch of Qalandia International, ‘a milestone contemporary art event’.

Palestinian artist Khaled Jarar screened his 2 minutes film at the festival. His film, too, addresses barrier issues and Palestinians’ reactions to it.

“I went to the wall and I cut out some pieces of it. I smashed them then I mixed them with cement and water and I made a ball which children play with. My message is that the wall is an ugly thing, so we should seek out ways in which to use it and the occupation for our benefit,” he told Reuters television.

The festival was organized by seven Palestinian institutions- Riwaq, Al Ma’mal Foundation for Contemporary Art, A. M. Qattan Foundation, Palestinian Art Court – Al Hoash, International Art Academy – Palestine, Sakakini Cultural Centre and the House of Culture Arts – Nazareth.

Palestinian band ‘Dar Qandeel’ performed traditional and modern music at the festival’s opening ceremony and people from various Palestinian villages and cities as well as Internationals came to attend.

Yara Bayoumi, a visitor at the festival, said the cooperation involved in hosting such a festival was wonderful.

“The festival is very nice. It is the first of its kind in Palestine. It is the first time seven organizations have worked together to organize such a festival. I hope it will have a good effect, and put Palestine in the world’s contemporary art,” she said.
The festival is expected to tour Jerusalem and other West Bank cities.

This article appeared in http://english.alarabiya.net/articles/2012/11/04/247588.html

A Message from Young Palestinians in Gaza to the World!

Gazans produce fish and vegetables in tiny rooftop spaces

by Sara Hussein

GAZA CITY, Palestinian Territories, Oct 29, 2012 (AFP) – Abu Ahmed looks out over a sea of grey, empty Gaza rooftops, and smiles as he looks back at the lush greenery sprouting in tubs and pipes on top of his apartment building.

He is part of a United Nations agency project to introduce cutting-edge urban agriculture to Gaza City, teaching Palestinians to farm without soil in the space available to them in one of the world’s most densely populated places.

Most of his rooftop is given over to an aquaponic system, which produces food by linking fish tanks of tilapia with gravel-filled planters.

The integrated system feeds the water from the fish tanks into the plant beds, where Abu Ahmed’s crops — lettuce, peppers, broccoli, celery and herbs — are fertilised by waste produced by the tilapia.

As the water trickles through the gravel, the plants absorb nutrients from the fish waste, cleaning the water, which then replenishes the tanks.

“The idea really was to help the poorest people in Gaza be able to grow some of their own food, and healthy food, grown without pesticides,” explains Mohammed El Shatali, the project’s deputy manager.

For Abu Ahmed, the project has been a major success.

Not only is he using the integrated aquaponic system, he had also set up his own subsidiary hydroponic system, growing additional crops in plastic pipes that are fed by the same water that runs through the aquaponic system.

“I had a bit of experience with agriculture and farming before, but nothing like this,” he says, examining the leaves of a celery plant.

Thanks to the project, the 51-year-old has been able to feed his 13-member family fresh vegetables and fish throughout the summer.

“The fish taste great, although I’m trying not to eat too many of them because I’m breeding new ones so I won’t have to buy more.”

There have also been other benefits from the system, he says, explaining that it cools the apartments below by providing shade.

“It’s great for the children. Nowadays they don’t see farming, they barely see trees or plants. It’s great for them to see this because it gets them interested in growing and planting things.”

Gaza’s 1.6 million residents live on just 360 square kilometres (140 square miles) of land, and much of that is off limits because Israel maintains a 300-metre (yard) deep exclusion zone along the length of the border fence.

Power cuts threaten fish

In Gaza’s main towns and cities, empty land is being eaten up by the construction of multi-storey apartment buildings, leaving little space for agriculture.

The challenges prompted the UN’s Food and Agriculture Organisation (FAO) to look for new ways to maximise crop production in tiny spaces.

In Gaza City’s Zeitun neighbourhood, 34-year-old Eman Nofal tends crops in a small yard next to her apartment. Peppers have been her biggest success this year, and both sweet and spicy red peppers dot the greenery in her planters.

Nofal’s husband was killed in fighting between rival Palestinian groups Fatah and Hamas in 2006, leaving her the sole provider for their four children.

When she heard about the project, she thought it could ease the cost of feeding her family.

“It’s been great. It’s really easy, the children even help me maintain the plants,” she says, acknowledging that the concept was somewhat alien at first.

“All our lives, we learnt that farming meant growing things in the ground, in soil, so it was strange to hear it was possible to grow in water and gravel, but I love the idea.”

Nofal says the project also gives her pleasure.

“Just the way it looks is really nice. Sometimes I come out here just to enjoy the greenery and to watch the fish play with each other. It relaxes me.”

The project has faced setbacks, including the Gaza-specific challenge of power cuts of up to 12 hours a day, which shut down the pumps that transfer water between the fish tanks and plant beds.

“Electricity has been one of the most difficult challenges,” says Chris Somerville, an urban agriculture consultant with the FAO.

“At 30 degrees centigrade (86 Fahrenheit), the capacity of the water to hold oxygen reduces, and during the summer many of the beneficiaries had fish die.”

New participants will receive a battery-powered pump to tide them over during power cuts, and the FAO is experimenting with fibres that could be used in hydroponic systems to retain moisture when power cuts stop the water flow.

Initially, the project also had to overcome a certain level of scepticism, Somerville says.

“To tell agrarian societies that you’re going to grow plants without soil can sometimes be a bit of a jump,” he laughs.

But the project has been so successful that the next cycle will expand from 15 aquaponic participants to around 80, with another 80 homes operating hydroponic systems.

It will be the first time the FAO has implemented aquaponics on this scale, and the agency is now looking at implementing the project elsewhere in the world.

“To be able to take this Gaza model and bring it to other countries would really be a massive achievement,” Somerville says.

This article appeared in http://www.mysinchew.com/node/79207?tid=10

Getting ready for Eid: Palestinians smuggle sheep to Gaza through tunnel

Palestinians smuggled sheep to Gaza in a tunnel under Egypt’s border for the Muslim celebration of Eid Al-Adha, where goats, sheep and camels are slaughtered commemorating Abraham’s willingness to sacrifice his son Ismail on God’s command.  For more incredible pics go to http://www.demotix.com/news/1544458/palestinians-smuggle-sheep-gaza-through-tunnel-under-egypt-border/all-media

 

 

ChicoER.com: Art exhibit examines Israel-Palestinian conflict through children’s eyes

CHICO — “‘Keeping Hope Alive — Life and Culture in Occupied Palestine'” is a series of events including film, dance, poetry, folk art, traditional Palestinian food and more,” explained Emily Alma, a representative from Chico State University’s Cross-Cultural Leadership Center, in an interview last week.The presentational series, which begins Monday and runs through Thursday, Oct. 18, 2012, is a multi-media exploration of Palestinian culture. The series is free of charge and will primarily be held at the CCLC in Ayers Hall.”The presentations integrate information about Palestinian culture with life in the West Bank and Gaza under Israeli occupation,” said Alma.  Read more Art exhibit examines Israel-Palestinian conflict through children’s eyes